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In this episode of the Go Creative Show, host Ben Consoli interviews Elie Smolkin, the director of photography for the series ‘American Sports Story: Aaron Hernandez.’ They discuss the unique storytelling approach of the series, focusing on the complexities of Aaron Hernandez’s life beyond sports. Elie shares insights into the visual style, including the use of color to represent trauma and the innovative techniques used to depict CTE. The conversation also covers the challenges faced during filming, the importance of collaboration in filmmaking, and Elie’s personal goals in the industry.

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Cinematographer Krzysztof Trojnar discusses his work on the Netflix show Baby Reindeer, sharing insights into the visual approach, using the Alexa LF Mini camera package, lens choices, and creating a sense of claustrophobia in cinematography. He also delves into the challenges of depicting drug use and the impact of AI tools on the industry.

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WINNING TIME season 2 director and cinematographer Todd Banhazl joins cinematographers John Matysiak and Ricardo Diaz to discuss their use of mixed formats to create an authentic ’80s aesthetic. They shed light on their collaboration in bringing the Celtics vs. Lakers rivalry to life on screen, their seamless blend of drama and humor, collaboration as cinematographers, and Todd’s story of going from cinematographer to director.

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GRAN TURISMO director of photography Jacques Jouffret shares his adrenaline-inducing visual approach to creating this gripping and authentic racing film. We discuss his meticulous approach to capturing the racing world’s intensity, blending realism and authenticity without relying on heavy VFX. Also find out about his meticulous approach to recreating the pivotal Nürburgring crash and much more.

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THE RIGHTEOUS GEMSTONES director of photography Paul Daley breaks down his visual approach to season 3. We discuss the various camera movement, lighting, and lensing tricks he used to advance the latest season. Find out how the lotus scene was shot practically, how Paul makes studio sets look real, and so much more.